desintation wedding photograph in rome on the spanish steps with wedding couple in the foreground

30 Days Project: Destination Wedding, Rome

When in Rome: get married and take amazing photos.

Planning your destination wedding? I traveled to Rome to meet up with Karen and Thomas.  The photo session in Rome was a fantastic experience, but we had to get up pretty early in the morning to beat the tourists to the best locations.  The early bird gets the photos!  The wedding portrait photo shoot was a perfect combination for me.  Making portraits with beautiful landscapes in the background is very much “my thing,” but add some incredible street photography with a documentary and historical twist and I am in heaven.  Still, it’s not just enough to be in the location, there is so much going on in every photograph.  The photographer has to be aware of every element in the background and how it interacts with the couple in the foreground.

The addition of documentary style street photography going on all around us meant that I needed to be watching two stories at the same time.  How does the story in the background interact with the story in the foreground?  It’s not just about composition.. there are stories being told as well, and there are moving elements that can intersect with the subject at any time and then there is exposure and lighting.  It’s no walk in the park, but it’s a whole lot of fun.  I hope you enjoy this look back at a beautiful wedding as much as I do.

Karen and Thomas’ destination wedding starts in Phoenix and ends in Rome. This slideshow is part of my 30 Days Project which includes portfolio slideshows and past and current projects including destination wedding photography, like this.  All music provided and licensed by Triple Scoop Music through their Subscription Service. This particular song, Starts with a Breath is by Willis.  I think it fits perfectly with the images.

Enjoy the slideshow of this beautiful wedding. I had the greatest time making the images and I think it shows in the images themselves. When a client trusts you implicitly, the freedom that provides elevates the art you can make for them. Karen and Thomas are that kind of client. God bless them!

This slideshow was made with Adobe Clip and directly uploaded to Vimeo for distribution. Clip is such a simple way to make slideshows and can be done from your iPad or Smart Phone in just a few short minutes. I can’t say enough good things about Adobe Clip. It even has a few songs for simple projects, but the number is seriously small and they aren’t that great. That’s another reason to use Triple Scoop Music’s subscription service. No matter what program I use to make my videos, I have all the music I could ever want, ready to use anytime I need it. And that is very useful now as I am making 30 Videos in 30 Days…

 

 

This slideshow was made with Adobe Premiere Clip. Clip accesses all of my photos in Lightroom CC and creates beautiful slideshows in seconds right on my iPad or iPhone. The beauty of Clip is that I can either make a super simple and fast slideshow, or I can further edit that slideshow or movie in Adobe Premiere. In this case, I did the entire thing in Adobe Clip and sent it right to the web.  You are seeing fifteen years of photographic work.  The slideshow itself took about 50 seconds to create with another 20 minutes of finessing to get the perfect timing on the gaps.  But every minute of it was fun.  I did it all on my iPad late last night on my living room couch with my headphones blasting away.  It was a nice way to spend the last minutes of my waking day.

Speaking of music, this whole 30 Days project is possible because of Triple Scoop Music’s new subscription-based service which allows users to pay one monthly fee rather than per song.  If you are producing projects and need music, I highly recommend Triple Scoop Music.  The service is full of great original songs from independent artists.  License one song at a time, or sign up for the subscription service and use as many songs as you need, whenever you need them.  Learn more at www.triplescoopmusic.com

Music in this video licensed through www.triplescoopmusic.com

The music for this slideshow is by Krista Youngs and can be found on Triple Scoop Music.

Unlimited music licensing plans are normally $995 per year and up.  However, right now, for a limited time, there is special pricing! Get yours for just $499 per year (annual billing) or $49 per month when you sign up this month.  If you only use one new song each month, you will save $221 this year.  At those prices, I will save $1,301 this month alone!  That’s pretty amazing.  Choose all the music you need all year long. Choose from over 35,000 hand-picked songs and soundtracks.  Click here to learn more: www.triplescoopmusic.com

Use the code “JAREDPLATT18” and save an extra 10% on your music membership!

You can follow this project here, or on my blog at www.jaredplatt.com/blog.  If you are a Vimeo fan, you can watch this project unfold at my Vimeo Album: https://vimeo.com/album/5227999

For a complete list of my equipment, you can go to B&H Photo Video.  https://bhpho.to/2Kx88bl

@Triple Scoop Music @triplscoopmusic #triplescoopmusic #musicLicensing #PhotographyLessons #jaredplatt #photography

#canonUSA @CanonUSA

@Adobe #AdobePremiereClip @AdobePremiere

#weddingPhotography #destinationWeddingPhotography

@BHPhoto #BHPHOTOVIDEO

bride and groom on a cliff overlooking the grand canyon on their destination wedding elopement

30 Days Project: Child Life Portraits by Jared Platt

Child Life Portraits are full of personality and life.

Portrait sessions with children can be a bit of a stress for parents.  They set an arbitrary date for their kids to look great, act sweet, mind their manners and smile!  Then they collect the outfits, rush out the door, put the kids in the car for the long drive to the studio where they will do their best to control their children, coax, threaten, cajole and plead… hoping that their little ones will look beautiful and precious and happy even if they are completely different in real life.  The session results in bribes that get bigger and bigger or threats that become so unrealistic that the children (even the two-year-old) know their parents are bluffing on the threats and lying about the rewards.  And this is what the parents are paying good money for?  Everyone wants a beautiful portrait of their children on the wall and most of us hope that it will show off the very best in our kids.  It has been hard raising kids and parents want to show everyone what amazing little people they have created and trained.

child portrait by jared platt in aspen grove in arizona

Well, here is the problem as I see it, and I have seen a lot of child portrait sessions.  The problem is that parents are too eager to micromanage the portrait session that they are paying for.  They have hired someone who is skilled at finding those precious moments, who has a talent for interacting with kids, even a gift of connecting with children on a level that the parents may never be able to accomplish on their own, and yet they will stress and threaten and even direct their children during the photo shoot.  If you are a photographer, you know exactly what I am talking about.  If you are a parent reading this post, take my advice and just step back and relax.  Your photographer should take the reigns on this photoshoot, let the photographer drive and you just get out of the way and enjoy the show.  It will be a crazy little show, but your bribes and threats aren’t going to make the photoshoot any better.  In fact, the rising stress levels will break your kids down faster.  Trust your photographer to make the beautiful images you see on their website for you without your help.  And if the photographer needs you to do something, they will ask you to help.  Otherwise, just hang out and enjoy watching the show.  If your kids are a bouncing off the walls that day, resist the urge to discipline… it’s a photo shoot, let it be fun for them.  Better images are made with children who are having fun that with children who are “holding still.”

My portrait sessions are called “Child Life Portraits,” because I want my clients to understand the reason for the images.  They are not an 18th-century oil painted portrait that shows a child as the world or the parent expects or hopes they will be with every flaw removed.  I am making images that express the nature of children AS THEY ARE, which is perfect and energetic and angry and sad and happy and curious and hyper and sleepy and bored and wonderful and silly and cute and yes, even messy.  When I make children’s portraits, they are sessions that go wherever the children take us and my clients are the kind of people who want a portrait of their children that shows who they really are with all their flaws and all of their eccentricities and all of their strengths and perfections.

Child Life Portraits are the real portraits that come from a photographer with a love for reality, they are born in appreciation for documentary photography, landscape photography and stylized editorial portraiture and fashion.  Being real doesn’t mean we never create a set for the portrait session or dress the kids up in great outfits or hand them props to play with, it just simply means that we inspire them to be themselves no matter where they are or what they are doing.  It is my goal as a children’s photographer to capture the essence of the child no matter what environment we are in.  If this idea sounds great to you, you may want to give me a call for your next portrait session.  If you can’t let go of the control… there are plenty of photographers out there for you.  I’m just not that guy.  If you are a photographer and want to create more images like the ones you see in this slideshow, I teach workshops online and across the world.  Contact me to find one near you.

 

This video is an example from my 30 Days Project where I am making the commitment to share more work, more often, in more places.  If you are a photographer, enjoy the inspiration and read on about how I made this slideshow and make sure to tune in for the how-to videos to come in the coming weeks.  If you are a parent and would like images of your children that show who they really are, feel free to contact me anytime.  I travel internationally and have taken children’s portraits from Arizona to China and everywhere in-between.  Contact me here.

The slideshow program I used for this slideshow is called Smart Slides.  Smart Slides is the absolute simplest tool available for making slideshows.  It takes a total of 30 seconds to make a stunning slideshow (not counting the upload of the images and song – that is based on your internet speeds).  It is based on the idea that the most important thing about your slideshow is your images, which I agree with completely.  There are only three steps:  add the images, choose the music, choose the transitions. That’s it.  Here is where the Smart Slides tool shines: Smart Slides produces the cleanest, most perfect slideshows available in any tool on the planet.  I upload 4K or larger images, the system makes the appropriately sized images for every size device and then feeds those images to the slideshow as needed for the device on which the slideshow is being played.  For instance, if you are reading this on your 27-inch Retina display, you have probably noticed that other slideshows are a little pixelated on your screen, things don’t look great in full-screen mode and that is because you have a very high-resolution monitor.  This slideshow will look GREAT on your monitor, on your iPhone, iPad, laptop… it doesn’t matter what you play it on, it will look perfect as long as you feed the slideshow from Smart Slide’s servers.  There is also a 1080P HD download option and I am posting that one on Vimeo.  I suggest you watch it once on Vimeo in HD and once on my blog in 4K to see the true difference between a HD Video File and a 4K HTML Slideshow Feed.  I am in love with the quality of the Smart Slides slideshows for my Blog.  The one shortcoming in the system is that when you post on Facebook, you really need to download the HD video file and post it so that Faceboook sees it as a video rather than a link out (Facebook likes video in the actual feed and they don’t like links out).  They have some music that comes with the service, but as you should know by now, I am a big fan of Triple Scoop Music’s incredible library of music.

This slideshow on Vimeo: https://vimeo.com/jaredplatt/child-life-portraits-by-jared-platt

This Slideshow on my Blog: http://www.jaredplatt.com/child-life-portraits-by-photographer-jared-platt

Speaking of tools, this whole 30 Days project is possible because of Triple Scoop Music’s new subscription-based service which allows users to pay one monthly fee rather than per song.  If you are producing projects and need music, I highly recommend Triple Scoop Music.  The service is full of great original songs from independent artists.  License one song at a time, or sign up for the subscription service and use as many songs as you need, whenever you need them.  Learn more at www.triplescoopmusic.com

Music in this video licensed through www.triplescoopmusic.com

Unlimited music licensing plans are normally $995 per year and up.  However, right now, for a limited time, there is special pricing! Get yours for just $499 per year (annual billing) or $49 per month when you sign up this month.  If you only use one new song each month, you will save $221 this year.  At those prices, I will save $1,301 this month alone!  That’s pretty amazing.  Choose all the music you need all year long. Choose from over 35,000 hand-picked songs and soundtracks.  Click here to learn more: www.triplescoopmusic.com

Use the code “JAREDPLATT18” and save an extra 10% on your music membership!

If you are a Vimeo fan, you can watch this project unfold at my Vimeo Album: https://vimeo.com/album/5227999

For a complete list of my equipment, you can go to B&H Photo Video.  https://bhpho.to/2Kx88bl

@Triple Scoop Music @triplscoopmusic #triplescoopmusic #musicLicensing #PhotographyLessons #jaredplatt #photography

#canonUSA @CanonUSA

#SmartSlides @pixellu

#weddingPhotography #destinationWeddingPhotography

@BHPhoto #BHPHOTOVIDEO

bride and groom on a cliff overlooking the grand canyon on their destination wedding elopement

30 Days Project: Grand Canyon Destination Weddings

We’ve been preparing a wedding venue just for you, for the past six million years.  The Grand Canyon.

Planning your destination wedding? What will it be?  We’ve been preparing one venue just for you for the past six million years.  It’s all ready.  Let us help you to document your experience.  www.jaredplatt.com

This video is an example from my 30 Days Project where I am making the commitment to share more work, more often, in more places.  If you are a photographer, enjoy the inspiration and read on about how I made this slideshow and make sure to tune in for the hhow-tovideos to come in the coming weeks.  If you are a bride or a groom and you are planning your wedding, contact me and let me help you navigate through the process of creating the ultimate destination wedding.  No matter where you are planning your wedding, you need experts who know their business.  We know wedding photography and when you create a destination wedding experience, the photography is critical.  Don’t leave it to chance.  Places like the Grand Canyon, Iceland or a Sand Bar in the ocean are tricky places to get great photos, you need more than a typical photographer.  You need a photographer who understands the natural light, location scouting, sun tracking, tide schedules, shadow patterns and location strobe lighting.  So no matter where you are planning to go, contact me at www.jaredplatt.com and let’s talk about your wedding.  Let’s make your destination wedding be the best it can be and I’ll make your wedding photographs the best they can be.

This video was produced using Animoto’s Video Marketing online program.  It’s as simple as uploading a few images and videos, typing in the text and pushing the produce button!  So simple and powerful.  And with my pocket filled with any song from Triple Scoop Musics Subscription service, I can make any project shine!  And each project can have its own unique song!  Stay tuned for the how-to videos where I will teach you how to use my arsenal of video editing tools and services.  By the end of this 30 Days Project, you will know exactly which tool is right for you.  You may decide you want to use a few of them, like I do.

 

Speaking of tools, this whole 30 Days project is possible because of Triple Scoop Music’s new subscription-based service which allows users to pay one monthly fee rather than per song.  If you are producing projects and need music, I highly recommend Triple Scoop Music.  The service is full of great original songs from independent artists.  License one song at a time, or sign up for the subscription service and use as many songs as you need, whenever you need them.  Learn more at www.triplescoopmusic.com

Music in this video licensed through www.triplescoopmusic.com

Unlimited music licensing plans are normally $995 per year and up.  However, right now, for a limited time, there is special pricing! Get yours for just $499 per year (annual billing) or $49 per month when you sign up this month.  If you only use one new song each month, you will save $221 this year.  At those prices, I will save $1,301 this month alone!  That’s pretty amazing.  Choose all the music you need all year long. Choose from over 35,000 hand-picked songs and soundtracks.  Click here to learn more: www.triplescoopmusic.com

Use the code “JAREDPLATT18” and save an extra 10% on your music membership!

You can follow this project here, or on my blog at www.jaredplatt.com/blog.  If you are a Vimeo fan, you can watch this project unfold at my Vimeo Album: https://vimeo.com/album/5227999

For a complete list of my equipment you can go to B&H Photo Video.  https://bhpho.to/2Kx88bl

@Triple Scoop Music @triplscoopmusic #triplescoopmusic #musicLicensing #PhotographyLessons #jaredplatt #photography

#canonUSA @CanonUSA

#Animoto @animoto

#weddingPhotography #destinationWeddingPhotography

@BHPhoto #BHPHOTOVIDEO

Wedding photography at the Grand Canyon by Jared platt

30 Days Project: Here Comes the Bride

Here comes the bride: A collection of wedding images

I have been photographing weddings for a long time now.  I think my first wedding was in 1995.  I remember it well, it was my sister’s wedding.  That’s right, you have to start somewhere.  I was in the photography program at Arizona State University and had a camera, so why not?

Famous last words.

The slideshow I made yesterday was all about landscapes!  Go back and read my story if you didn’t already.  To quote myself: I was using “the kind of camera you see in the late 1800s with the guy under a dark cloth, looking into a camera that looks a bit like an accordion.  It was a beast to carry around, but I thought I was going to be Ansel Adams.  Little did I know that I would stray completely from that format and favor documentary imagery and end up photographing people almost exclusively for the next 25 years.”  I am talking about a twenty-pound 4×5 camera.  That’s the camera I chose to use to photograph my sister’s wedding.  I can assure you, it was not documentary style photography.  And let me be clear, I wasn’t as good at making a perfect exposure as I am now.  My sister still hates her wedding photos and I don’t blame her.  But we all have to start somewhere.  I just did my practicing on people I love.

Will I show them to you?  Not in this slideshow!  Maybe someday…

So, as I said, I have been photographing weddings for a long time and I have been blessed to be a part of the most amazing events, I have been in the most beautiful places, I have experienced the most touching moments and I have been able to capture it all with my camera.  I have to admit that I have no idea what to do when I go to a wedding and I am not the photographer.  I am lost.  So this slideshow is a collection of images from many years of wedding photography that spans well over a decade and a half and around the world.  I remember the moment each of these images was created.   That is the effect of imagery on memory and emotion, images are the keys that open the gates that lead into the gardens of emotion in our minds.

While I was making this collection of images, I was listening to an entire list of songs from Triple Scoop Music, which I will talk about in a future video in this series.  This song stuck out to me as perfect for the images.  But it was the cadence of the song that excited me most about pairing it with these images.  As you watch the slideshow, you will see why.  I got to play with the gaps in the song and toy with the viewer a bit by withdrawing the imagery.  It is the law of opposition: the darkness and emptiness make the next image so much more impactful.  Every slideshow and every set of images is different and each deserves its own musical score… that is why it is so great to have a vast collection of licensed music at my fingertips.

 

This slideshow was made with Adobe Premiere Clip. Clip accesses all of my photos in Lightroom CC and creates beautiful slideshows in seconds right on my iPad or iPhone. The beauty of Clip is that I can either make a super simple and fast slideshow, or I can further edit that slideshow or movie in Adobe Premiere. In this case, I did the entire thing in Adobe Clip and sent it right to the web.  You are seeing fifteen years of photographic work.  The slideshow itself took about 50 seconds to create with another 20 minutes of finessing to get the perfect timing on the gaps.  But every minute of it was fun.  I did it all on my iPad late last night on my living room couch with my headphones blasting away.  It was a nice way to spend the last minutes of my waking day.

Speaking of music, this whole 30 Days project is possible because of Triple Scoop Music’s new subscription-based service which allows users to pay one monthly fee rather than per song.  If you are producing projects and need music, I highly recommend Triple Scoop Music.  The service is full of great original songs from independent artists.  License one song at a time, or sign up for the subscription service and use as many songs as you need, whenever you need them.  Learn more at www.triplescoopmusic.com

Music in this video licensed through www.triplescoopmusic.com

The music for this slideshow is by Krista Youngs and can be found on Triple Scoop Music.

Unlimited music licensing plans are normally $995 per year and up.  However, right now, for a limited time, there is special pricing! Get yours for just $499 per year (annual billing) or $49 per month when you sign up this month.  If you only use one new song each month, you will save $221 this year.  At those prices, I will save $1,301 this month alone!  That’s pretty amazing.  Choose all the music you need all year long. Choose from over 35,000 hand-picked songs and soundtracks.  Click here to learn more: www.triplescoopmusic.com

Use the code “JAREDPLATT18” and save an extra 10% on your music membership!

If you are a Vimeo fan, you can watch this project unfold at my Vimeo Album: https://vimeo.com/album/5227999

For a complete list of my equipment you can go to B&H Photo Video.  https://bhpho.to/2Kx88bl

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (11)

Cameron & Ashley’s Wedding in Phoenix, Arizona

Cameron & Ashley were married at St. Francis Catholic Church in Phoenix, Arizona.  Their reception was held at the Arizona Biltmore Resort.  From start to finish, we had a great time.  I knew it would be a enjoyable day after shooting Cameron and Ashley’s engagement portraits in San Diego.   They are a very casual and fun couple, which always helps to make a wedding day go well.  I don’t think I saw Ashley stressed throughout the day.  Even when the limo had a flat and was late to take her to the wedding, they both seemed to be enjoying themselves and relaxing.  I was impressed.

While the girls were finishing up getting ready, we took photos of Cameron and the guys.  It didn’t take us very long.  In fact, when I let the guys go, they were a bit startled…  “That’s it?” One of them said.

Yep, that’s it.

They were all very happy to be released to relax and probebly grab a drink.  But that’s how we roll.  Weddings are not about photography sessions.  As important as wedding photography is to the wedding, that is not what the day is about.  A wedding is about family, friends, love and commitment.  The photographer’s job is to capture moments and help the couple remember and recall the emotions, events and people who attended without getting in the way.  So that is how my team and I operate.

The Biltmore is a great place for portraits because everywhere you go, there is an opportunity for open shade, no matter what time of day it is.  So I just hunt for open shade and settle the group in that area to take the portraits.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (1)

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (2)

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (3)

This portrait was taken inside the Biltmore lobby as we walked to the limousine.  We had a few minutes so I used the window light and got this shot.  I have to take my hat off to Ramon Bacaui (hair) and the makeup artist from M.A.C..  I see a lot of makeup and hair, and Ashley’s crew was truly great.  Thanks to all of them, Ashley looked like a million bucks.  It also helps that she’s a natural at posing for the camera.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (6)

Now she’s hiding behind a wall to make sure Cameron doesn’t see her.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (7)

The St. Francis church is a bit tricky to photograph because there are a lot of rules that restrict the photographer’s movement.  So this is about as close as you get.  So the photo team spends a lot of time shooting and reshooting the same basic shots at different times during the ceremony.  Our shots go from full length shots to wide architectural shots, no closeups.  The church is a very beautiful one, so any shot is a nice one, but you don’t get to capture mom or dad looking on as their daughter gets married, because we are not allowed to get into a position for the shot.  With those restrictions in mind, we got some great shots.  You’ll see a number of them in the slideshow.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (8)

I love this shot.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (9)

This one is another favorite.  The flashes are set up for the family portraits on the alter of the church, but they do a great job as backlight and sidelight for a portrait looking back into the church pews.  There is not one forward light on this at all.  Two backlights and a sidelight.  All the forward light comes from reflected light off the marble alters of the church.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (10)

Such a perfect moment in the back of the limousine.  I love it.  This is the kind of shot I would want printed for my wall if I were the groom.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (11)

I just like the simplicity of the design and colors in this shot.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (12)

We had a good time after the wedding taking portraits.  The Biltmore has an attendant following us around with drinks and fruit and cheese, etc… which was much needed.  Ashley was famished.  So we took a little extra time on the front lawn for  a drink and a snack before we finished the portrait session.  I do love the casual nature of this portrait, so much so, that I made it the cover on the slideshow.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (13)

Do I have to even say that I love this shot?  I love the Biltmore architecture, the bride looks great, the tree has all sorts of great texture on it.  I just love it.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (14)

Ashely, you look amazing.  Cameron, you have a lot of great photos to choose from!

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (15)

Everyone goes to the roof of the Biltmore to shoot.  We did as well, but some of the best shots are upstairs, inside, near the windows.  This was all window light, no additional lighting.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (16)

This shot makes me think we are up on the empire states building in New York City.  I love the shot, the stone, the lights in the background…

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (17)

This was another window lit shot.  The light from the window is the blue soft light from the twilight sky and the light from the interior lights is warm and soft because it comes from a lot of lights throughout the lobby of the hotel.  The ISO was high, so it has a natural grain to it, which was enhanced by NIK Silver Effects Pro 2.  I knew it was going to be a great shot as I was taking it.  Sometimes, you just know.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (18)

Ashley’s sister makes the blog post because she is an extremely memorable character.  She is the kind of person that owns any room she happens to occupy.  Her toast was completely entertaining.  I partially liked the look on the Bride’s face in this shot though.  I don’t recall what exactly was being said, but I think the sisters may be ganging up on the groom.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (19)

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (20)

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (21)

I love the emotion in this way Cameron is holding his bride.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (22)

I love sweet moment like this one as well.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (23)

Nice cake topper.  But Cameron is not allowed to dip kiss Ashley anymore… he almost dropped her.

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (24)

And finally, I have to say that the band, The Groove Merchants, was fantastic.  They kept that party going all night long.  I have to think that Ashley and Cameron’s friends would probably party late no matter what, but the energy in that room was clearly five notches higher because of the band.  I enjoyed every single song!

A wedding at the Arizona Biltmore and St. Francis Catholic Church in Phoenix Arizona (25)

Thank you Ashley and Cameron for trusting me with your wedding photography.  It was an honor.

Wedding Photography by Jared Platt, Platt Photography

Slideshow Music by Jonny Blu, Courtesy of Triple Scoop Music.

Wedding Location: St. Francis Xavier Catholic Church

Reception Location: The Arizona Biltmore

Flowers by Designs by Jeremiah

The Band: Groove Merchants

Makeup by M.A.C.

Hair by Ramon Bacaui

Post Processing by Shoot Dot Edit

Hindu wedding in scottsdale arizona by Jared Platt (13)

Ilyas & Sheena: A Beautiful Wedding in Scottsdale, Arizona

Sheena and Ilyas were married at the JW Marriott Desert Ridge Resort in Scottsdale, Arizona.  They live in New York, but Sheena’s family is here, so the wedding was on a beautiful day in Scottsdale, Arizona.  Sheena and Ilyas were both raised in Hindu homes, but have been living western lives so, both cultures were very important to them, so the wedding included both culture’s wedding rites, which made for fantastic photographic opportunities.  It was like I was shooting two weddings on on day.  My team and I had a great time.  And thanks to the efforts of the many wedding professionals (led by none other than Jennifer Thinnes from Outstanding Occasions) that put the wedding together, we had a beautiful backdrop for some fantastic images.  Here are some of my favorites.

And let me say, if you are planning your wedding how important it is to have a wedding planner on the team for both the pre-wedding planning and for the day of the wedding.  The girls at Outstanding Occasions come up with such great ideas and do such an amazing job executing the wedding plans, they are worth their weight in gold.  And having them there to keep everything moving smoothly is absolutely indispensable.  After a wedding like this, I have to put a little plug in for wedding designers, planner and coordinators.  If you look at this wedding and think, “that’s amazing, I want a wedding like that and photos like that…”, then you need great professionals, with experience and creativity.  They make weddings better in every respect.

So, on to the photos.  Enjoy…

Hindu wedding in scottsdale arizona by Jared Platt (1)

Hindu wedding in scottsdale arizona by Jared Platt (2)

I absolutely love the henna hand painting in the Hindu culture.  In Sheena’s hand paintings (by Darvina), you can see her and Ilyas in the paintings.

Hindu wedding in scottsdale arizona by Jared Platt (3)

Hindu wedding in scottsdale arizona by Jared Platt (4)

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Even though the couple saw each other before the wedding, the tradition is to place a veil between the couple at the beginning of the ceremony and then there is a reveal, where they see each other for the “first time.”  It was tricky getting my position  correct on this shot to be able to show them both and not be in the way of all the guests, but as I reached the correct vantage point, Ilyas glanced at me with the greatest expression on his face.  I love this shot.

Hindu wedding in scottsdale arizona by Jared Platt (7)

Oh, and have I mentioned the colors!  I am the kind of photographer who puts a lot of black and white into my weddings and portraits, but almost every photograph in this wedding so full of color that I couldn’t help but show them all in color.

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I love all the rituals.  There are so many opportunities for beautiful and meaningful photographs.

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The yellow rice is fantastic.  I love these shots.

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Hindu wedding in scottsdale arizona by Jared Platt (11)

The runner was fantastic.  I love the printed logo, it was designed by Idieh Design.  The programs, the place cards, everything was perfect.

Hindu wedding in scottsdale arizona by Jared Platt (12)

Hindu wedding in scottsdale arizona by Jared Platt (13)

I heard it in a the maid of honor’s toast, that Sheena’s laugh is infectious, but really it’s more than that.  it is her natural cheerful nature.  She is constantly full of happiness.  I like photographing her very much because that joy shines through.

Hindu wedding in scottsdale arizona by Jared Platt (14)

This is one of my favorite images from the day.  The bride is kneeling before her parents (her’s and his).  There is a reverence for family in the Hindu culture and therefore in the wedding rites that is not common enough in America.  And as much as I like a non-traditional wedding that breaks the mold, there is something very special about tradition and lasting culture.  It says a lot when a young couple continues the heritage of their parents.

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The JW Marriott Desert Ridge Resort stands on the north edge of Scottsdale, Arizona and it’s back yard are the desert mountains.  It makes for a very beautiful location for a wedding.

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An absolute home run for Avant Garde who designed the Mandap.  You will see more shots of it throughout the this blog post.  They really did a fantastic job designing and building it.  But I have seen their work before and I expect no less than the best from them.

Hindu wedding in scottsdale arizona by Jared Platt (17)

Hindu wedding in scottsdale arizona by Jared Platt (18)

I will let you in on a little secret.  Although the bride and groom planned to see each other before the wedding, things were running a little behind with getting ready, so we didn’t have much time for portraits before the wedding, and since the wedding had both a traditional Hindu ceremony and a western style ceremony, it ran a bit long.  And after the wedding, the couple needed to change from their wedding attire into their reception attire.  So… that means the sun went down and there was no time for portraits after the wedding with the help of the sun.

No problem.  That’s why I always come prepared.  Boy scout.  As I saw the time slipping away from us, I shifted gears and assigned assistants to get to the vehicle and grab the heavy gear (big flashes).  After the wedding, as the couple was changing, we created a very large studio set outside on the lawn of the Marriott.  I’d say it turned out extremely well.  Wouldn’t you?

While we were shooting, I couldn’t see a thing, so Ryan, my assistant would run up to Sheena with his iPhone and hold it near her face so I could focus on the iPhone.  Then he had to run out of frame.  Lots of running…

Hindu wedding in scottsdale arizona by Jared Platt (19)

With no more light outside, we moved into the hotel (which has a lot of great interior locations).  Sheena turned model on us and we got some great shots of her.  This is my absolute favorite.

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Sheena and Ilyas made their grand entrance through the fog.

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We put up a couple additional flashes in the back of the room to accentuate the fog and the crystal trees.

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Hindu wedding in scottsdale arizona by Jared Platt (23)

Dr. Prakash, Sheena’s father designed and built the cake stand for the wedding.  It’s quite beautiful.

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Hindu wedding in scottsdale arizona by Jared Platt (25)

Event design, floral design, lighting design… compositional design.  Put it all together.  This was simply a beautiful wedding for the greatest couple.  And there are so many people to thank for making it so perfect.

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Thank you Sheena and Ilyas for trusting us with your wedding.  And thank you to everyone who worked so hard to make their wedding such an incredible experience.

Wedding Photography by Jared Platt, Platt Photography

Wedding Planning and Design by Outstanding Occasions

Location JW Marriott Desert Ridge Resort & Spa

Floral Design by Avant Garde

Stationary Design by Idieh Design

Officiant: Scott Morgan

Hair: Revive

Makeup: Amanda Osadchuk

Slideshow Music by Kevin Burdick, Courtesy of Triple Scoop Music

All That Matters: Tyler and Allie’s Wedding in Phoenix, AZ

I am writing this post conscious of the fact that my wife will read and re-read it and will scold me if I do not do present this one exactly right.  You see, Allie, the bride, was my wife’s high school student a number of years ago.  Allie was one of those 17 year old girls with 30 years of wisdom.  She is one of the most impressive young women we have ever had the pleasure of knowing.  So when she told us of the news, that she and Tyler were getting married, we were thrilled.  We would have been at the wedding anyway, so when Allie asked if I could photograph it… well, how could I not.  Allie is the type of person that gives so much to everyone, personally and professionally, that everyone around her can’t help but want to give back.

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Allie’s wedding, though would be an interesting one.  It was planned for a Monday evening in Pine, AZ (a tiny little town) where the beautiful forests of Northern Arizona would have been the backdrop.  We all had our little hotels and bed & breakfasts staked out and were ready to head up the hill, when I got a text from Allie’s good friend and wedding coordinator.  Everything was on hold, as Allie had been rushed to the hospital back in Phoenix for an appendectomy.  She and Tyler had arrived in Pine, but she began to feel a pain in her side and decided to head to the emergency room in Payson (a slightly bigger small town in Northern, Arizona).  Allie is tough, so when she decides to go to the emergency room, something is wrong.  They then sent her back to Phoenix to have her appendix taken out.

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Having her appendix out, meant that she needed to keep it simple.  So, Allie spent a lot of time sitting down and relaxing, which is what I think brides should do more of anyway.  But with the sitting came this shot, which is one of my favorite images from the day.  The room where she got ready was her friend’s scrapbooking and craft room.  It was perfect for the shot.  For those of you interested in the techniques used to get the photo, it is not as simple as it may seem.  There is no window to the right as you might assume.  I have created the window light by bouncing a Canon 600 EX RT Speedlite off of a a wall.  The exposure was set for the ambient light in the room, which gives her the warm glow and generally lights the room.  Then the large light source (the bounced light coming from a wall) on the right gives her the three volume that makes the shot so successful.  Also, keep in mind that the blue and taupe walls are complimented by the mixture of light between the warm incandescent light in the room and the cool blue light of the flash.  I almost always set the ambient exposure first and use flashes to augment the light that already exists because in most cases, the light we see around us is close to perfect as it is.  It can sometimes just use a little help.

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I can only imagine the roller coaster ride Allie went through.  And I understand there were times when she talked about postponing the wedding until she got better, but it was reported to me that Tyler said “by the end of this week, I will be your husband.”  I’m paraphrasing, of course.  We all waited to see how she would do after surgery and she set the date for a simple backyard ceremony on Wednesday with a small reception for friends and family on Saturday.

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Tyler is a good man, I love this shot of him looking out into the back yard, where the ceremony will take place.  This is another one of those ambient first, and add a little fill flash bounced off the dealing above and to the right to fill in the shadows just a little bit.

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This is one of my ultimate favorites from the day.

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As is this one.  I purposefully added additional film grain to these images.  I thought they felt very classic, so they deserved classic grain to them.  Besides, I love film grain.

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This is one of the most precious moments during the day.  I can’t get enough of the relationships between a father and a bride.  I hope, when my daughter is married, someone finds a moment or twenty like this for me.

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And this.

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One thing I enjoy about an extremely small wedding is the closeness of the ceremony.  Everyone sits or stands very close to each other to witness the marriage.  And that includes me.  I get a lot closer shots during extremely small weddings, and it has been said many times, “if your images are boring, you’re not close enough.”  It’s nice to be in close to the action and small intimate weddings like this one, allow for that to happen in a very non-intrusive way.

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I loved the bride’s bouquet.  It was simple and had a very wild flower feel to it, with a few accents of roses.  It was well done.  I especially loved the broach on the stem wrap.

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Allie, you are a beautiful bride.

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Like almost every little girl, I am sure Allie dreamed of her wedding and had it all planned out (she’s a planning kind of girl), but plans change, sometimes at a moment’s notice.  The wonderful thing about marriage is that no matter what circumstance does to our plans, whether it is rain, or mixups with a vendor or a trip to the ER for an appendectomy, the most important part of a wedding is the commitment, the I Do!  And Allie and Tyler said “I Do.”  And now they have the rest of their lives…  and no doubt, they have a great wedding story to tell.

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The reception on Friday was every bit the party and a party always seems to come with a feathered headdress.

 

I loved this moment between Allie’s mother and father.  Some of these moments happen so fast that I have to take the moment I am given.  I wanted so much to be about 8 feet to the left, but I saw the moment happening and had to take the shot while it was there.  I then moved to the better spot, but it was gone by the time I got into position for the “perfect” shot.  This is what we call stalking the moment.  When we see a moment developing, we take a series of shots and try to improve upon the moments as they build by getting into an even better position, or waiting for the moment to make its crescendo.  Sometimes, the moment falls apart before we get the “decisive moment” we are after, but we still have a  pretty good one.  So the lesson is: when you see something that may be great, start shooting now, and stalk that moment, because if you wait for the vantage point to be perfectly aligned to the moment before you shoot or for the moment to become great, you may miss the very good shots.

This was a brilliant gift for everyone.  Take home a stack of yummy recipe cards for the cookies at the wedding, which I understand were made by Allie…  and they were yummy.

I can’t cook, nor can I bake, but I can eat cookies.  Which reminds me, I should have my sister make some cookies…

It was a wonderful wedding to witness.  Allie and Tyler, thank you for trusting me with your wedding day.

Wedding Photography by Jared Platt, Platt Photography

Slideshow music by Cherie Call, Courtesy of Cherie Call

Location: Phoenix, Arizona

Engagement portrait in Central Park, New York City, New York by

I Love New York: Ilyas and Sheena’s Engagement Portraits

Ilyas and Sheena’s Engagement Portraits from Jared Platt on Vimeo.

I met Sheena and Ilyas at Central Park in New York City for their engagement portrait session.  They are both very busy people (doing the doctor thing) so getting them together on a date I could get to NYC was a challenge, but we found a date and made it happen.  Central Park is so full of possibilities, it is a perfect spot for a walk and a photo shoot.

My favorite thing about Central Park is the fact that one can be in a city that size and feel like you are in the country.  At times, I even forget about the traffic noise.  So I wanted to get a few shots that put the couple in the forest, away from it all.

It’s a bit of a challenge to get an empty staircase here, but I managed to sneak a few moments where that right section of the staircase is empty for a brief moment.  I was glad that those moments also aligned with a few moments between Sheena and Ilyas.  That’s the gamble that is photography.  We are often waiting for the stars to align to give us the best background, the best light, the best moment and on top of it all, we need to get the right exposure and the perfect composition.  Sometimes it works.

When photographing an engagement shoot, I always recommend finding a warlock to be a part of the shoot.

I love the architecture.  But the shadows under there get a little deep, so I threw a Canon 600 EX RT Flash under the arches on the opposite wall and popped a little bounce light in there to keep those arches illuminated.  There is such great architecture in that park, I enjoyed using it all in the photoshoot.

I did a bit of scouting the day before and found a few spots Ilyas and Sheena had never been.  It is understandable.  The place is enormous.

I love this shot.

And this one.  By the way, there’s a lot of backlight there and there’s no way this shot would have worked without the use of my 600 EX RT flash set off the left of the frame on a picnic table filling them in with a bit of light.

By the end of the shoot, Sheena was done wearing the shoes.  So was I, and I was wearing comfortable street shoes.  We didn’t do a lot of “city” shots, but on the way back to their car, I thought the street looked inviting, so we grabbed a shot there.

And then, one of my favorite shots presented itself as we continued toward their car.  I love the iron gates and the stairs and the dappled light coming through the trees.  I love it.

Thanks Sheena and Ilyas for spending the morning with me.  It was a pleasure getting to know you both and making some cool images with you.

Engagement Portrait by Jared Platt, Platt Photography

Slideshow Music by Mindy Gledhill, courtesy of Triple Scoop Music

Portrait Location: Central Park, New York City, NY

Wedding photography in Scottsdale, Arizona by Jared Platt (8)

Shayna & Beto’s Wedding in Scottsdale, Arizona

Shayna and Beto were married at Troon Golf Club in Scottsdale, Arizona.  It was a  beautiful day for a wedding.  Here are a few of my absolute favorite images from the wedding day.

Shayna did a great job with the dress hanger.  Rarely do I see a bride pay attention to the dress hanger.  It is usually an ugly plastic hanger.  I have never understood dress shops who sell these fantastic dresses for thousands and thousands of dollars, knowing they will be photographed and yet they deliver them on an ugly white plastic hanger.  Well, I have to hand it to Shayna for seeing that issue.  For those brides out there who are peeking in on this wedding and making notes about your own wedding.  Bring along a pretty hanger that says something about you.

So, we took the dress out of the closet and hung it up on this large painting in the bridal dressing room and I was composing the shot when one of the young ushers walked through the shot.  I have two shots that are essentially the same of this dress, one with and one without.  I can hardly look at the one without the boy in it.  He completes the picture.  I suppose it is because this boy took my controlled shot and added a bit of reality to it.  Sometimes I am tempted to stray from reality and control it all, but the chaos always pulls me back where I belong.

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I think the florist was a bit nervous when she saw me with the flowers out in the sun before the wedding.  She even made a little comment about the flowers being prone to wilting in the heat.  But, I’ll bet she’ll love this image of her beautiful flower arrangements.  And I am happy to report the photo only took a few minutes and the flowers were perfect throughout the day.

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This next series is one of my favorite getting ready sets I have taken.  A lot goes into the shot of putting on the dress.  Providing a nice backdrop for the effort is a major part of that.  But also, there is just a lot of fortune that goes into getting the shot as well.  I think all things conspired together for an opportune shot.  And then I have to say that the muted color treatment on the shot really finished it off well.

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This moment made everyone laugh.  There is a whole series from this set, but these are the two crowning moments.  The littlest flower girl got cold feet and was not even going to go down the isle, much less, throw the flower petals.  So the older flower girl went back to get her and was trying to show her how to throw the petals, which upset her, I think she intended to keep them all for herself.  When the older flower girl realized this, she thoughtfully moved on with her duties and the little one stood in the isle and silently pouted over the loss of her flowers.  It was the cutest moment.

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I was taken by the canopy of branches in the background, so I asked Shayna to pose for me as the guests and wedding party chatted.  Often times the un-planned portraits and scenes that catch my attention at the moment are the very best.

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I simply love this image of the bride.  I love the contemplative look, I love the way the hair is blowing.  The veil being set against the dark on the left of the frame is wonderful.  I love this shot.

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I looked at this image in color and thought it looked fine, but when I took it to black and white and started aging it, I felt as though it became what it was meant to be.

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This shot was taken as the sun dropped over the horizon.  There is no better time of day.  I love the reflection on the water, the movement of the dress as she walks.  I am very pleased with this image.  As dress images go, it is a great description of the dress.

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These two little girls were constantly providing opportunities for great photographs.  Here they are waiting to dance with the bride during a dollar dance.   Everyone was dancing with her, and they wanted their chance, but I don’t think they knew how to approach it.  Where to they get the money, how do they get her away from all those other people.  I think they were sufficiently mesmerized with the bride and equally unsure of how to proceed, so they stood on the sidelines for quite a long time, until the maid of honor saw them and gave them some money and explained how to get a dance with the bride.  Even now, thinking about it and about my little girl, I get a little emotional.  You can just see the wonder in their hearts.  The older is thinking thoughts of being a bride someday and the younger is simply awe struck by a princess.  There is an entire thesis in their expressions.

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The joy of sparklers.  You can’t help but be happy.  It was a great wedding and party, people were having a lot of fun.  I was glad to have been there.  Thanks Shayna and Beto for trusting me with your wedding day.  Congratulations.

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Wedding Photography by Jared Platt, Platt Photography

Slideshow Music by Justin Hewitt, courtesy of Triple Scoop Music

Wedding Location: Troon Golf Club, Scottsdale, Arizona

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A Wedding on Top of the Mountain: Dan and Krissy’s Wedding on Camelback Mountain in Scottsdale, Arizona

We were at Camelback Mountain in Scottsdale, Arizona at sunrise.  The weather was perfect, a little chilly, but perfect for a serious hike.  It’s a good thing, because that’s what we were in for.  Krissy and Dan planned their wedding on the top of that mountain.  Well, not on the tip top, but pretty high up there.  My associate, Eric Greenhaulgh and I spent a good 15 minutes deciding what gear needed to come and what gear could stay down below.  Any photographer knows exactly what I’m talking about.  Equipment is heavy, so you don’t want to take something you are not going to use, but you would hate to be at the top of a mountain and need something that is in your car at the bottom of the mountain.

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First, we made sure not to duplicate anything.  We did not bring any duplicate lenses.  Between the two of us though, we had a full compliment of lenses.  A Canon 16-35, 28-70, 70-200 and a 50.  I carried my 1D Mark IV, he had his 1D Mark III.  We had one small hand held post with a Canon 580 EX flash and a set of Pocket Wizard TT1 and TT5 radio slaves.  It is important to have your hands free, when hiking up a mountain and shooting others who are hiking up with you, so we couldn’t take reflectors and such with us and not self standing light poles, etc.  Everything strapped nicely onto our one backpack (which we alternated carrying up and down) and we had only the gear that was necessary in the backpack, although Eric was a little over zealous about what he was willing to carry up the mountain.  My backpack was a small one and I was still able to fit a bottle of water in mine.  I had to convince Eric not to take everything he owned up the mountain.  The truth is, I didn’t want to have to take my turn at carrying it.  Maybe I am lazy, but I prefer to call it “smart.”

Opportunities for challenging wedding photography are wonderful.  I enjoy them because they force me and my crew to work and think differently about the job and how to accomplish it.  We still need to get great images, but we have to think differently and sometimes find ways to capture them with less.  Granted, I have done entire weddings with far less gear than we had here, but it was a very bright, sunny day, so we definitely needed some kind of lighting solution to match the sun and shadow sides of faces.  Also, because of the wide variety of opportunities for a great shot up there, and the limited options for the photographer to stand (we were on a mountain with cliffs and cactus etc.), I needed a good compliment of lenses to be able to capture the images on my terms.

A Native American flutist meat us at the top of the mountain.  As we neared the ledge, where he was playing, Dan (for whom this was a surprise) thought it was just great luck that on the day he was getting married, a Native American flutist was up on top his the mountain playing his flute.  Krissy had lots of little surprises like this throughout the day.

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It was a good hike to get to the wedding location, but is was indeed, a beautiful morning.

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Getting ready occurred at the top of the mountain.  The guys took on side of the hill and the girls took the other side.  I did appreciate that the groomsmen all work black hiking shirts and shorts.  Those were their tuxes.  That was cool.  The only two that dressed UP for the wedding were the bride and groom.  Otherwise, dress code was very casual.

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Here is the bride’s room.  And quite frankly, I think it was one of the most beautiful and well decorated bridal rooms I have ever seen.  Most of the time, the bride is getting ready in a hotel room, or a sitting room.  Which, even if decorated nicely, can’t match the grander of the top of a mountain.  They just needed a sheet to sheild Krissy from the onlooking hikers and photographers.  Oh, wait, I was one of those, but I had a press pass.

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Surprise 2: Krissy took all of Dan’s love notes and poems and printed them out on origami style paper and made her own bouquet out of love poems.  I really enjoy an original and personal bridal bouquet.  I love it when brides put more of themselves into their wedding details.  This was a great surprise for Dan.

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I love a good wedding on a cliff.  Up to now, I have only done cliff weddings at the Grand Canyon, which has some magnificent cliffs.  It was nice to witness a cliff wedding closer to home.

For the photographers out there, you can see that the sun is shining very bright now on the bride and groom.  You can see the crest of light on her dress, and on his face.  But you will also notice that the grooms back is not in complete deep shadow, the bride’s face is lit, as is her dress, etc.  But you can still see the direction of light from the sun.  There is a clear direction of light here.  This is the use of the Pocket Wizard TT1 and TT5 with a Canon 580 EX  Speedlight although now you can use the 600 EX.  We set it on a rock and I just turned on and off my TT1 transmitter when I needed or didn’t need the flash.  This was an indispensable part of capturing this wedding.  Without it, we would have extremely dark shadows or blown out highlights.  The light is set to fill in from the left of the frame at one stop less than the ambient.  If we had set it to equal the ambient light, the flash would have attempted to equal the sunlight and thus eliminate all the volume in the shot.

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This is the entire wedding watching the ceremony.  I love a small wedding.  I really do!

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Here are some of my favorite images from the portrait session after the wedding.

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Yes, Krissy is an amazingly gutsy bride!  If that doesn’t look safe, it is because it is not.  I think Dan was a bit worried about her, but Krissy was game for anything.  I wasn’t worried about Dan, he’s a police officer.  He’s a tough guy.

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Dan is also sorting a boutonniere made of his own love poems.

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I was working on this image and my wife came in and commented on it.  How tiny is she?

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I don’t always pre visualize and image at the shot; meaning that I don’t always know exactly what I want to do with an image in post-production before I shoot it, but in this next series of images, I knew what I wanted to do before I even started shooting the photos.  We were stating back down the mountain and the bride and groom were going to be walking by me at any moment.  I knew I wanted this image to be extreme selective focus, I wanted to make it look like it was taken at the end of the 19th century.  So I opened my lens all the way up and made the appropriate exposure adjustments (which can barely be done because at f 1.2, at 100 ISO, you have to expose at 1/8000 of a second).  Anyway, I rattled off a bunch of shots with this concept in mind and I was pleased with the result.  I am always more pleased with the results when I pre-vissualize the end from the beginning.  I suppose it is more satisfying to know I pulled it off, but I also think that if one can see the end from the beginning, it makes every step in the process more valuable to the final result.

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I thought this was just a great comparison/contrast.

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Down the mountain!  At times, Camelback Mountain is a bit steep.  For a girl in a wedding dress, it seems even steeper.

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This is one of my favorite series of shots.  We got a few grumbles from a team of repellers that wanted the cliff all to themselves, but if they only knew what we were accomplishing in the two minutes we were imposing ourselves on their rock, I think they would have been much more supportive.  I really like this shot.

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This is my official wedding attire for all super casual hiking to the top of a mountain weddings.  It’s quite frankly the most comfortable wedding attire I own.

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Krissy and Dan, thanks for letting me be a part of such a wonderful wedding.  It was a pleasure.

Photography by Jared Platt, Platt Photography

Location: Camelback Mountain, Scottsdale, Arizona

Slideshow Music by Daniel Ho, Courtesy of Triple Scoop Music