phoenix symphony orchestra platt photography

A Night at the Phoenix Symphony

One of the things I like about my life and work is the constant variation in what I get to capture. I shoot weddings, portraits, commercial, documentary, and more. One thing I really enjoy is when I have the opportunity to work with other artists, like the musicians of the Phoenix Symphony. From the musicians and conductors, to the marketing staff and the CEO, everyone is extremely talented. 

A few times a year, the symphony presents multimedia performances that include both music and video at the same time. This multimedia performance was a celebration of the work of legendary composer Elmer Bernstein. His iconic music was paired with clips from the movies his scores brought to life. It was conducted by his son, Peter Bernstein, who shared stories about his father and the music during the performance.

phoenix symphony orchestra platt photography

The musical score to the ten commandments by Ernie Beirnstien.

I like to photograph the score because I like to take visual notes. This practice helps me to remember things, like names, details, and more. And I love the way music looks on a page, the way the notes are like their own language. Even though I have played music my whole life, I can’t actually read sheet music.

phoenix symphony orchestra platt photography

Phoenix Symphony CEO Jim Ward Back Stage with Ernie Beirnstien’s son, conductor Peter Beirnstien

Jim Ward is one of my favorite people. This intelligent business genius has been the captain of ships such as Lucas Arts now leads the Phoenix Symphony. His guiding hand has made it one of the few symphonies in the US that are financially sound. This gives great artists a stable benefactor. Who says art and commerce can’t coexist?

phoenix symphony orchestra platt photography

Phoenix Symphony orchestra master violinist Steven Moeckel getting in the zone before performance.

Phoenix Symphony orchestra master violinist Steven Moeckel getting in the zone before the performance. Steven is truly a treasure. Listening to him play is truly mesmerizing.

phoenix symphony orchestra platt photography

Video of Ernie Beirnstien above the Phoenix Symphony performing his film scores.

phoenix symphony orchestra platt photography

The Phoenix Symphony performing socres by Ernie Beirnstien with the films playing above.

Peter Bernstein, son of Elmer Bernstein, conducted the symphony as they played his father’s exemplary film scores. To accompany the music, video clips from the films and clips of his father played overhead. Between the music, Peter also told stories about his father. One of the stories he shared was about his father’s experience in Hollywood during the McCarthy hearings and the Communist black lists that threatened actors, directors and musicians during that time.

phoenix symphony orchestra platt photography

The Phoenix Symphony performing the score for The Ten Commandments by Ernie Beirnstien with the film playing above.

It was filmmaker Cecil B. DeMille who vouched for Elmer Bernstein to keep him off the Hollywood blacklist. He was the one who gave Bernstein his break in the movies, which began his amazing career as a legend in film scoring.

phoenix symphony orchestra platt photography

The Phoenix Symphony

phoenix symphony orchestra platt photography

Guest conductor Bernstein leading the Phoenix Symphony playing his father’s film scores.

phoenix symphony orchestra platt photography

Dirrector of Animal House, John Landis, speaking about the work of Ernie Bernstein.

Director John Landis (of Animal House, Three Amigos, and other ridiculous comedies) was there to discuss his experiences with Elmer as well.

phoenix symphony orchestra platt photography

The Phoenix Symphony playing the music of film score composer Ernie Beirnstien.

phoenix symphony orchestra platt photography

The Phoenix Symphony playing the music of film score composer Ernie Beirnstien.

phoenix symphony orchestra platt photography

Back stage with Ernie Beirnstien’s son Peter, guest conductor at the Phoenix Symphony.

My backstage lighting was critical to the success of these photos. With the Profoto lighting system, I am able to photograph in completely dark situations with complete confidence. With the A1 On Camera Flash (with a focus assist), and the B1 and B2 off camera flashes hanging from various walls and rafters, there is no image I can’t capture. I know where the action is going to happen and set up my lights prior to the event. Because I can control everything from the A1 On Camera Flash, no matter what direction I am facing, I can create light that will make the image work, even in the darkest conditions. Of course, when the symphony starts playing, the lights go off and I slip into stealth mode.

When all is said and done, photography is my opportunity and excuse to go into everyone else’s world. Whether it is photographing a wedding or a symphony, I love my work. And I love working with talented people who are at the very top of their game.

payson engagement session platt photography

Reagan and Rusty: Engagement Portraits in Payson Arizona

Reagan and Rusty have been dating for a while. Reagan is my niece, so I have seen Rusty at family dinners for a long time. When they asked if I would shoot their engagement portraits, they originally just wanted to do something in Phoenix. But, it was August. August in Phoenix averages 120 degrees. Not good. When thinking about engagement photography sessions, people don’t always think outside of the box. One of the greatest things about Arizona is that within two hours you can be in an entirely different climate. So that’s exactly what we did.

Payson, Arizona Engagement Session

Reagan, Rusty and I packed up and went an hour and a half north of Phoenix to Payson. It was still warm, I couldn’t do much about it being August, but nothing over 90. Fortunately, I do a lot of location scouting. I have locations logged in China, Budapest, London, Iceland, and a hundred other locations across the world. But, when it comes to Arizona, I have thousands. So, I took them to a great spot with tree cover all day long. I also brought my Profoto B1 and B2 along to make the light absolutely perfect.

payson engagement session platt photography

Engagement portraits are best taken in the cool hights of the forests of Northern Arizona, this is one of my favorite spots, just north of Payson, AZ.

The light tree cover is not this dark, but with a little extra light, I can remove the natural ambient light and then fill in exactly what I want, giving the image a more dramatic feel.

payson engagement session platt photography

Engagement portraits are best taken in the cool hights of the forests of Northern Arizona, this is one of my favorite spots, just north of Payson, AZ.

 The lush grass and little spots of sunshine filtering through the trees and onto the grass makes for a perfect backdrop. Lighting is critical on this image to make sure my lights all appear to be coming from the sun so it doesn’t appear to be a flash photo. Obviously, on-camera doesn’t work. So, the flash is off to the left of the camera to follow the natural direction of the sunlight.

payson engagement session platt photography

Engagement portraits are best taken in the cool hights of the forests of Northern Arizona, this is one of my favorite spots, just north of Payson, AZ.

At the end of the photo shoot, Rusty was skipping rocks like a little kid. He and I finally coaxed Reagan into going into the water. She kept feeling crawdads crawling around her feet, so this was quite a challenging shot for her. But, in the end, I love the drips of water coming off her feet and the reflections coming toward the camera. Without the right lighting, the water droplets would have melded with the background too much. The drips would not show up and neither would the reflections (not that much anyway). You can see in the final shot where that light was that was separating them out.

payson engagement session platt photography

Outside or inside the Profoto light is a critical part or my photography.

Rusty helped me test the light by putting his head IN it! Good job, Rusty. He won’t be my assistant anytime soon.

payson engagement session platt photography

Engagement portraits are best taken in the cool hights of the forests of Northern Arizona, this is one of my favorite spots, just north of Payson, AZ.

payson engagement session platt photography

Engagement portraits are best taken in the cool hights of the forests of Northern Arizona, this is one of my favorite spots, just north of Payson, AZ.

Skye’s Senior Portrait in Chandler, Arizona

Skye’s high school senior portraits were taken in Chandler and Gilbert, Arizona with an extra drive out to Canyon Lake outside of Phoenix.  The music for this slideshow, “Callita Night” by KGB is licensed through Triple Scoop Music.

The final image in the collection was a must for Skye and for me.  This was Skye’s Pride and Prejudice moment… you girls will know what I’m talking about.  Guys, don’t worry about it!

View the entire collection on the web here.

Lighting a Senior Portrait with the Sun and the Profoto B2

A quick lighting lesson for outdoor portrait sessions.

Devin is an amazing young woman and full of life. Her senior portrait session was a blast for us all. At one point, we were walking from one spot to another (shade to shade – we are in Arizona, after all) and I fell in love with the idea of Devin with her ukulele in this corn field. Cute right? Also very difficult to light naturally, because we are in direct sunlight.

So, I am going to give you the quick recipe for a bright sunlit scenario:

1. Turn your subject away from the sun. This give you a nice rim light to separate her from the background and it keeps her from squinting into the sun. And it keeps her face in her own shadow.

2. Light her with a powerful flash, but NOT from the camera. Our flash is coming from off the left side of the frame, as close to the frame as possible. Lighting her from the side keeps the subject full of volume, rather than flattening her out and looking like an obvious flash. On camera flash is the worst kind of flash.

3. To match the power of the sun, you will need a lot of light from your flash. Whatever flash you have (mine was a Profoto B2) you can increase its power and size by using a deep silver umbrella (on any flash) which will magnify the light by nearly double. So, even if you have a speedlight… you can double its power by using a Profoto Deep Silver Umbrella. Make sure to push the flash all the way into the umbrella.

4. Play with the power of your flash until you have the right mix of ambient light from the sun and flash light from the flash. Notice that we did not lover the ambient light so that everything was dark and rich blue, because it was a bright sunny day. We let it feel that way in the shot and then simply added light on her face to fill in the shadows under the hat and on the entire camera side of her body. But not so bright that we lost the feel of he being in her own shadow.

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Lighting with one light is simple, if you pay attention to and use the light you already have and just use your one additional light to augment the light that already exists.  Don’t fight the light, work with it.  Let God do 90% of the work and you just do the other 10%.

P.S.  Contrary to her look in the behind the scenes photo, Devin was having a good time.  But I think there may have been a bee flying around.

Going Back in Time to Photoshop 1.0

 

Happy Birthday to Photoshop this month as it hits its 25th Birthday! While I was at creativeLIVE for Photoshop Week 2015, a number of instructors (including me) had the opportunity to travel back in time and use Photoshop 1.0.

This was something I used as a sophomore in college in the early 1990s. That’s right, LAST CENTURY!

When people talk about how things were built better back in the day, or that life was better way back when, they are obviously not considering the explosive chemistry in a 19th century darkroom, the weight and fragility of glass plate negatives, covered wagons or Photoshop 1.0. I for one, would like to say thank you to all those inventors and smart people who have improved our lives over the past 150 years. I don’t miss the darkroom, I don’t miss polyester pants and I don’t miss Photoshop 1.0.

Wedding in Ripe England

Photographing with the Panasonic GH4

I had the opportunity to shoot a wedding in Ripe, England with the Panasonic GH4.  This camera is a compact, light-weight camera with lenses so small you can fit them in the pocket of your jacket.  I have always carried around a little Canon point and shoot that takes RAW images, but no point and shoot can match the experience of a SLR style, through the lens viewfinder experience.  So the GH4 made for the perfect traveling companion.   I kept it with me throughout the wedding, and as I traveled throughout the country before and after the job.  While I shot, I has little experiments in mind, like latitude experiments and macro experiments, low light and motion experiments.  I have posted the results here in the blog.  The incredible thing about this little camera is that it also captures 4k video as well, but we will stick with the still photos for this post.

In this image of the pipe organ in St. John the Baptist church, where the couple was married, I was able to truly test the Panasonic GH4's exposure latitude capabilities. The church was quite dark inside and yet, I was able to capture full detail inside and outside.

In this image of the pipe organ in St. John the Baptist church, where the couple was married, I was able to truly test the Panasonic GH4’s exposure latitude capabilities. The church was quite dark inside and yet, I was able to capture full detail inside and outside.  I fully expected that I would not be able to maintain any detail in the exterior exposure, but I was pleasantly surprised by the latitude on this little camera.

The wedding couple took a walk along the southern coast of England before the wedding.

The wedding couple took a walk along the southern coast of England before the wedding.  Carrying a heavy SLR and its heavier lenses on a long walk is not all that much fun.  In fact carting equipment around makes me wonder why I chose to be a photographer in the first place.  But with a camera as small and light as the GH4 and its sharp little lenses that weigh almost nothing and fit almost anywhere, I was carrying three lenses and camera and I hardly knew I had anything with me.  At times I had to double check to make sure I had a camera.  Typically a light, compact camera means poor photos, but the GH4 breaks that rule.

It was a leisurely stroll and yes, we stopped to admire the flowers.

It was a leisurely stroll and yes, we stopped to admire the flowers and I tested my need for macro!  The GH4 was perfect, in fact, the digital view finder allowed me to see exactly what my depth of field looked like while taking the shot.  That something that a traditional SLR won’t do for you.

The white cliffs made for a stunning coastline.

The white cliffs made for a stunning coastline.  Here again, I was battling a latitude challenge with the bright sun peeking through the clouds, but the GH4 held the detail in the brightest spots of the clouds and even in the shimmer on the water behind the couple walking near the cliff.

Silence at a wedding is golden, especially in an old stone church. The GH4 has a completely silent mode that makes me as a photographer invisible to everyone at the wedding.

Silence at a wedding is golden, especially in an old stone church. The GH4 has a completely silent mode that makes me as a photographer invisible to everyone at the wedding and since my greatest wish is to be invisible at a wedding, this was a perfect camera for the job.  While I was shooting the wedding with both my Canon and the GH4, I found myself choosing the GH4 for all of the close shots as I crept down the isle.  They may have seen me there, but I can guarantee you, no one heard me.

Wedding in Ripe England

Not only could the GH4 give me great back and white images from the church, but it provided excellent color in a dark church. Not only could the GH4 give me great back and white images from the church, but it provided excellent color in a dark church. Smaller chips often yield more noise, so I tested the GH4 for noise and found that the color noise was extremely low and the grain structure feels ver natural. I am a sucker for a beautiful grain structure. I know… its nerdy.

 

Wedding in Ripe England

Not only could the GH4 give me great back and white images from the church, but it provided excellent color in a dark church. Not only could the GH4 give me great back and white images from the church, but it provided excellent color in a dark church. Smaller chips often yield more noise, so I tested the GH4 for noise and found that the color noise was extremely low and the grain structure feels ver natural. I am a sucker for a beautiful grain structure. I know… its nerdy.

 

Wedding in Ripe England

This little angel was my subject for a few days. The grooms niece and I chased each other around the grounds of the church for a little while as the bride and groom chatted with heir guests. The articulating screen on the camera allowed me to follow her around at a long angle and grab shots of her as we ran. Ordinarily, I would be taking shots like this completely blind, wasting 20 shots to get one that was in focus and composed correctly. But because I could see her in the articulating screen at all times and the GH4’s auto focus was tracking her face, I never missed a shot. It’s always nice to have a lot of images to choose from.

Wedding in Ripe England

Like many churches in England, the cemetery surrounds the church, so when the little girls play on the church grounds, they play amid the tombstones of their ancestors. The groom’s Godfather rests in this cemetery. Was was fascinated by the casual and playful attitude of the children amongst the stones. They see them as just that, stones. I couldn’t present this image in color. It needed to be a black and white. It just deserved it. The GH4 makes exquisite black and white images from its RAW files.

After the wedding, I took a drive to Stratford Upon Avon to catch a little Shakespeare. Before the show, I took in the character of the old english buildings.

After the wedding, I took a drive to Stratford Upon Avon to catch a little Shakespeare. Before the show, I took in the character of the old english buildings.  It handled the latitude and the saturation issues on the chimneys very well.

After the show, I tested the higher ISO settings on the GH4 and at 3200 ISO, the camera produces a very nice grain structure with low color noise. I was completely happy with its extremely low light capabilities.

After the show, I tested the higher ISO settings on the GH4 and at 3200 ISO, the camera produces a very nice grain structure with low color noise. I was completely happy with its extremely low light capabilities.  I couldn’t have asked for a better image in that light.

My total experience with the Panasonic GH4 was wonderful. It’s small and lightweight body and lenses make it the perfect camera for hiking, and traveling. The quality is quite good and when compared to any small sensor camera, is absolutely fantastic. One could use the camera as their only camera and carry four times the lenses in half the space. Using it in conjunction with my smart phone was helpful as well. Rather than taking decent photos on my iPhone to post on social media, I was able to take superior images on the GH4 and send them to my phone for social media purposes.

The only draw back on the camera is the increase in depth of field due to the chip size and lens lengths. But that is a standard issue with micro four-thirds cameras. For those of us who like to live on the edge of focus, it feels like a limitation. But you get used to the feeling of having all your photos in focus and after a while, it stops feeling like a limitation and starts feeling like a blessing.

Panasonic is making exciting things for photo enthusiasts and pros alike. My good friend and photographer, Isaac Bailey, shoots with a Panasonic micro four-thirds camera and here’s what he has to say about it:

“I love my Panasonic mirrorless camera. It has opened a new realm of fun in personal photography for me. Using the control I get from my big DSLR with tiny size and weight, I can really go anywhere with this baby and make great shots” -Isaac Bailey Photographer Phoenix

Traveling with a camera is the only thing I know. I have never been able to go anywhere without needing a camera with me, but there is always a battle between high quality and compact size. The micro four-thirds market has opened up a new world of possibilities for compact PLUS quality and Panasonic is leading the charge. Heavy cameras may be a thing of the past in the not too distant future. Hurray for that!

Photo of England countryside by Jared Platt

Heading Out into a New Year

Photo of England countryside by Jared Platt

 I am looking out into the new year and looking at my travel and lecture schedule which gets more and more complicated and crowded every day and I wonder what things I will see and who I will meet this year.  And more importantly I hope I will be able to able to be a force for change in people’s lives.  I love hearing from people who say their lives have changed as a result of the things they have learned from me.  That is why I teach.  I love to unlock doors for people.

Follow my schedule on the right hand side of my blog here and find a lecture or a workshop near you and come join me.  If you can’t make it to a workshop or a convention like WPPI or Imaging USA, join me online at creativeLIVE.com.

For those of you interested in an adventure… join me in Krakow, Poland in August: www.poland.mzed.com

I wish you all the very best this year.

Wedding in Phoenix, Arizona.  Photography by Jared Platt.

Brad and Jennifer’s Wedding in Phoenix, Arizona

 

Jennifer and Brad were married in the Trinity Episcopal Cathedral in Phoenix, Arizona and their reception was held at the Paradise Valley Country Club in Paradise Valley, Arizona.  There were a lot of bride’s maids and groomsmen and all of them were lively and fun.  The wedding was great fun.  Here are a few of my favorite images from the day.

One of the bride’s maids was taking little Polaroid shots during the day.  I thought they were cool, so I made my own, but the bride’s maid can pretend she took this Polaroid too.  I won’t tell anyone.

 

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (1)

This shot was taken by my second shooter, Ray who was following the groom and groom’s men around during the day.  I love the composition on this shot.

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (2)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (3)

I love mirrors, moms and that connection of sweet pride.  That has got to be one of the most grand moments in a mother’s life.

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (4)

Everyone learned how to tie a real bow tie.  A skill all men should have.  Loose the fake bow ties, always go real!

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (5)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (6)

Jennifer, the bride, looked like a million bucks.  The dress was perfect, her hair was done just right… what a beautiful sight for Brad at their first look before the wedding.

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (7)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (8)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (9)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (10)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (12)

I don’t recall what was so funny, but not everyone was amused, which is why love the shot so much.

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (13)

While you are in a long wedding ceremony, or church even, smart phones with data packages have made anything entertaining.  There were a lot of football fans at this wedding.  In fact, I recall announcements on scores being issued at the reception.

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (11)

The is one of my favorite shots from a recessional in a long time.

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (14)

The from door on the church was perfect for a photograph and the sun was on its way down, so we had a perfect moment of light (for about 2 minutes), then it was gone.  If you are the tech type, this was taken with a slow shutter speed to burn in a darkening sky.  The couple is in complete ambient darkness and lit by a Profoto B1 off camera flash with a soft box.

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (15)

Jennifer makes the dress look great!

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (16)

One of my favorite parts of the day is the reception and particularly the toasts.  Most of the time, a toast looks best in black and white.

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (17)

The other side of the toast!

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (18)

The bride loved the doors at the Paradise Valley country club.  So we set up a shot at the main entrance.  It was pretty dark out there, but two Profoto B1 lights did the trick.  One was lighting them and the other was filling in a general bounce to give us detail in the shadows.

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (19)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (20)

This next series was a lot of fun.  They had a cigar box for anyone who wanted to have one.  So all the guys gathered on the back patio of the country club, and we shot away.

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (21)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (22)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (23)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (24)

Photography from a wedding in phoenix, arizona by arizona wedding photographer Jared Platt. (25)

I have to thank Megan, from M.C. Weddings and Events for all of her work on this wedding.  Having a coordinator on a wedding changes everything.

Wedding Photography: Jared Platt, Platt Photography

Wedding Videography: Serendipity

Wedding Location: Trinity Episcopal Cathedral, Phoenix, Arizona

Wedding Reception Location: Paradise Valley Country Club, Paradise Valley, Arizona

Importing iPhoto and Aperture Libraries into Lightroom

Office Hours LR Aperture Import from Jared Platt on Vimeo. Finally, there is a way to take your entire iPhoto or Aperture library and import it into Lightroom.  This video will show you how to accomplish this task.  Now you can take all those photos that have been held hostage by Apple’s ridiculously bad photo software and get them into a system that makes sense.  You will need to download the latest version of Lightroom 5 and Adobe’s Aperture Importer plugin for Lightroom, which I show you how to do on this video.

Portrait of Jared Platt by Calros Martín

Story Telling: an Interview with Jared by Blurb Books

This interview with me from Blurb Books just ran via PDN. I thought you might be interested in the content of the interview as well as the great discount for blurb books. Enjoy the interview…

Jared PlattBlurb
Photographer
Spotlight:

Jared Platt

Jared Platt is a commercial photographer, portraitist, and educator based in Arizona who regularly runs workshops and webinars for Profoto and CreativeLive. He’s also an Adobe® Lightroom® devotee and a strong believer in the power of photography to tell stories. When he recently appeared on a CreativeLive segment, he impressed us with his thoughts on music, rhythm, and the photographic story arc.

Why is storytelling so important to you as a photographer?
Photography is storytelling. Some people tell a story in one image, which is always awe-inspiring, and some people tell stories over a series of photographs. But, all photographs have the aim of telling a story. Whenever I am taking a photograph, whether it is at a wedding, on the street, on a commercial shoot, or of a child, I am always looking for the story I want to tell in that one image—or series of images. I have an intense need to tell these stories that I see to everyone who will see my images, because I believe those stories will touch them, matter to them, and make some kind of an impression on them.

How does Lightroom help you with that aspect of your work?
Lightroom is essential to the process of selecting and editing the extreme volume of work I have in front of me constantly. A photo historian, the late Bill Jay, used to remind me that a project (no matter how perfect it was) was of no value until it was completed and available for people to experience. Lightroom helps me get superior work completed efficiently, so I can share it with the world and get busy telling the next story. Companies like Blurb, who connect with Lightroom, have made the process of sharing stories with the world even easier. Producing a masterful photo book is within any photographer’s reach.

How do you use books in your professional life?
As a photographer in the digital age, I transmit images via Facebook, blogs, websites, iPads, and FTP servers. But there is something extremely special about quality paper, printing, and binding. My clients receive physical proof books made by Blurb, which I create directly in Lightroom. I never tire of hearing the exclamations from my clients about how beautiful their books are and how much they love them. Books are also essential in selling my services to future clients. Photo books and magazines are so comfortable and accessible to the client who is relaxing in the studio showroom, and as the client is looking through the book, the book is selling them on my vision and educating them on my style.


Learn More
Whatever your passion—whether you chose it, or it chose you—turn it into a book with Blurb.

Take 20% off any print book order. Use the code PDN11 at checkout.*


And naturally this is related to storytelling…
Making a book takes the opportunity for storytelling to a whole new level. With multiple images spread over days, months, or years, it can come together to make extremely poignant statements. Add titles and graphics and text to the mix and you have limitless opportunities to connect with people and help them see what you see. I think when people say, “This is beautiful,” they are really saying, “I see what you see, and what you see is beautiful.”

How does your personal work differ from your client work?
There is no difference between my personal work and the work I do for my clients. I let one inform and alter the other, so, as my personal work shifts and expands, so does my commercial work. I am simply a visual storyteller. I tell stories about my clients’ lives, products, and events, and I tell stories about my life. I hope they are all interesting to the viewer. If they aren’t, I need to improve.

If money and time were no object, what project would you most want to take on?
I find creative people fascinating. Money and time are always an object and yet I am still on a quest to photograph and interview creative people of all types, from all genres of creativity, to experience their energy, understand their methods, and tell their story. So if money were no object, I would continue full steam ahead telling the story of the creative mind. In a creative way, of course…

At Blurb, we celebrate creativity in all of its myriad expressions. Photographers like Jared embody the creative freedom that our self-publishing platform enables.


Child Life | Jared Platt

Learn more about Jared Platt

> Jared’s website
> Jared’s Child Life book

Photography by Jared Platt


Tell your story with photography in a beautiful book and save

Take 20% off any print book order. Use the promo code PDN11 at checkout.*

Learn More

*Offer valid through December 31, 2014 (11:59 p.m. local time). Valid for printed books only. A 20% discount is applied to your print book product total with no minimum purchase required. Maximum discount is USD $100, AUD $100, CAD $100, EUR €100, or GBP £100 off product total. This offer is good for one-time use, and cannot be combined with volume discounts, other promotional codes, gift cards, or used for adjustments on previous orders.